Bob was the bands guitarist throughout its most popular 'Classic' mid 70's era and then from 1980 all the way through to 2002 when he retired from music. His influence cannot be understated. Peter described him as 'Mr Steeleye' as all his efforts and ambitions in music were satisfied by being in Steeleye. He very rarely did anything outside Steeleye musically apart from his 1977 Concept album project with Peter Knight - 'The King of Elflands Daughter' which was narrated by Christopher Lee.
Bob started out in a number of small pop/rock bands in the 60's, including backing Paul Raven. He was interested in bringing pop sensibilities into traditional music and did some folk club gigs with Peter Knight. Once Pete went off to join Steeleye Bob was disillusioned with music, becoming an office worker before Pete asked him 2 years later to join him in Steeleye.
Bob's influence on the bands success was very significant as not only did he realise the commercial potential of Gaudete when he heard it in Church, but he was responsible for almost all the Group's big ballads which became their signature sound and are still dominate the set list today. Long Lankin; Thomas the Rhymer; King Henry; Alison Gross; Tam Lin were all devised, arranged, often with newly written melodies, by Bob. These 5 songs have all appeared in 2019 concerts.
In keeping with his wish for privacy, once he retired from the band due to ill health he completely retired from Music and has not done any interviews or been 'seen' since apart from the recent short 50th Anniversary DVD documentary. The only other exception to this was that the Band asked him to contribute to the 'Wintersmith' project as they knew he loved Terry Pratchett. He wrote 'Ancient eyes' and 'The Wee Free Men' and sung backing vocals. Even better are his demo versions that appear on the Wintersmith 'Deluxe' CD where plays and sings.
Bob never really wanted to do anything 'solo', in his words: "Everything I was doing worked perfectly well in Steeleye Span! It just so happens it did. There was Peter playing and Maddy singing, and what more could I want?"
(Steven Winick article - 1997 Tour Programme)
After starting to play the guitar at 14 Bob first joined a local band in Tooting called 'Earl Sheridan and the Houseshakers' until they left Earl and became the 'The Pack'. They got picked up by Paul Raven to become 'Paul Raven and the Pack' for about 2 years but never made any money! After returning to regular work Raven's brother introduced him to 'Andrew Oldham' who made part of the House Band at Immediate Records, which also involved recording with Thane Russal. (Here he is playing lead guitar on a minor hit 'Security' for 'Thane Russal and the Three' on the video opposite). Bob also worked with P J Proby at some point during this time. After becoming disillusioned with Pop music he turned to Folk music, playing with Peter Knight until Peter of course joined Steeleye. Bob then returned to work (and recording the album below with Roger Nichlson) not expecting to ever become a full time musician before the call from Peter came to join Steeleye.
In early 1972, before joining Steeleye, Bob recorded an album with Roger Nicholson, the renowned Dulcimer player. The album features Bob playing the acoustic guitar and singing. The album shows that Bob had already performed and recorded 'trad folk', and in particular his singing of 'The Sheep Stealer' and 'The Layly Worm and the Mackerel of the Sea' on the album gave hints of what to expect (notwithstanding that the latter also had a variant that Bob later turned into 'Alison Gross'.) It also highlights the lazy PR around Bob (and Rick's) joining Steeleye that the only focus on was their Rock background when joining Steeleye.
This concept album was conceived by Bob and it was very much his labour of love. It is an adaption of the 1924 Fantasy Novel by Lord Dunsany. He enlisted Peter to help him, along with various other friends in the music business. Nigel Pegrum played drums on most of the tracks. It even has Christopher Lee as the narrator. Tony Secunda, who was Steeleye's manager at the time was happy to support it and according to Peter, in order to get the backing needed, Tony had to go to Chrysalis and persuade them to provide £30k to fund this obscure album. He managed this by telling Chrysalis Bob and Peter would leave Steeleye if this album wasn't made! Chrysalis agreed but didn't promote or market it at all so it was not a commercial success. Ironically Peter and Bob did leave Steeleye anyway, but apparently nothing to do with this album which was reported in the press at the time.